Back by an all-star cast, including Aaron Sterling (studio drummer for Sara Bareilles, Kelly Clarkson and Brandi Carlile), Ryan Freeland (engineer Aimee Mann, LeAnn Rimes and Natasha Bedingfield), producer Timothy Young and her husband Mike Chiaburu, Kristy Hanson is releasing her newest album Into The Quiet at the end of this month.  Her release was funded largely by her fans and marked a transition in Kristy’s artistry from singer/songwriter to collaborator. She also put her input into the production, making the album truly her own. So without further ado, I give to you the very charming Kristy Hanson…

What has been the best part of making the new album?

I think the best or at least most exciting part of making an album, for me, is the recording itself. Getting Mike, Tim, and drummer Aaron Sterling in the studio with Ryan Freeland, our engineer, was fantastic. We had such a great energy and camaraderie, and I just LOVE recording. I love studios, generally  Gavin Lurssen‘s studio (our mastering engineer) is awesome, too. I could, I would spend all day, every day, in a studio, particularly with those guys!

But it was also wonderful to collaborate with Tim Young and Mike on those early demos over at Tim’s house, too. The collaborative process was sort of new to me, and I learned and grew so much as a result of it. So it’s kind of tie between that early collaboration and the recording itself!

How does this one differ from your last release Already Gone?

The fact that I co-wrote some songs with Mike and Tim and invested more time in the production makes it feel different for me, and maybe more sophisticated. Sound-wise, Into the Quiet is a little bit heavier than Already Gone, in that there are layers of electric guitars and more of a rock sound on a lot of songs. There’s also definitely more pop and country flavor in there.  I’m also extra-proud of my vocals on this album, because I really poured my whole heart into them. I hope people respond to that!

You did something very interesting to raise money for this recording, can you explain that?

Inspired by a number of artists who have turned to their fans for support, including the hilarious and wonderful Jill Sobule, I decided to launch a fundraising campaign before the recording of Into the Quiet. My fans donated $5,000, which was vitally important to the making of this album. I actually gave all donors the chance to vote on my album’s title, and I’ll be having a special listening party for my donors to thank them. I hope that my donors feel as proud of the album as I do, and that they feel good to have played a role!

You’ve played shows all over the US, what is your most memorable tour moment?

Oh boy…probably my most memorable BAD moment on tour was when we got stuck in a snowstorm in Wyoming (in the middle of APRIL) and had to stop in Laramie rather than continuing on I-80. It added an extra day of travel, but we made it just in time for the first gig in Chicago.

But it’s so hard to pick, Cleveland was memorable because I was born there and had dear friends in the audience (which was also a great audience), and I also really loved Rockwood Music Hall in NYC. I love touring generally…even (or perhaps especially) the mishaps because they become part of the stories you can tell later.

If you could collaborate with anyone, who would it be?

Hmm,  I’d say Joni Mitchell, although Lord knows I might be too intimidated to actually collaborate! I would love to work with Grant-Lee Phillips, an amazing songwriter and singer based in LA. And Aimee Mann. And I also find myself singing Michael Penn’s harmonies a lot…I would settle for merely being his back-up singer for sure. I dreamed about collaborating with drummer Jay Bellerose, and then it happened, so you never know!

What song on Into the Quiet is the most personal? And why?

My songs always come from a very personal place, although most of them on this album are not directly autobiographical. I think that the song “Into the Quiet” itself feels most personal to me. Which seems a little odd, because the lyrics are probably also the most abstract. But a lot of it has to do with what I’ve been through over the last several years, and what Mike and I have been through together  and how at the end of the day all I want is to be in a peaceful place, and sharing that peaceful place with him. So I guess, yes, that’s pretty personal. 

Keep a lookout for Kristy’s newest release Into The Quiet. The official release date is March 31st and if you’re in Los Angeles, swing by Molly Malones for the album release show. Also, be sure to check her out on MySpace and Facebook.

-Sheena

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In this episode, not only will you hear great acoustic music and get a great tip on how you can legally rob a bank BUT you will also find out what it is that I am doing with a Horny Goat.

You better listen now before your imagination gets the best of you…

Press play now

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Songs heard on this podcast

Rob Anthony – “The American Way”
Willie Porter – “How To Rob A Bank” (download this tune free on eMusic)

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Guest post: Treadmarkz is my brother-in-law, a Human Beatles Encyclopedia and the author of the weblog Treadmarkz.wordpress.com.

Some Country music purists would probably say that anything that warrants the name “Alternative Country” is not really Country. But ultimately it is the domain of the fan to judge what an artist is or is not, to them.

Ladies and Gentlemen, I give you Jennifer Dixon.

A little country sensibility with a style that hovers along the cusp of blues, pop, jazz owing to a stint on Memphis’ legendary Beale Street, and nearly a decade in Nashville, her new CD, “2 Years” is the fruit of experience. She did not come out of nowhere.

Which makes it all the more uncanny that she has been labeled “un-Nashville.”

The intro to “A Little You For Me” sounds like a nod to “I Lie Around” by Paul McCartney and Wings. But this Norah Jones-like tune comes from the heart of a woman who has given all she can give to the world, yet she finds she’s got a little more left for her man if he’ll meet her halfway. Like “I Lie Around” it never really takes off. It threatens to, repeatedly. But when it comes down to it, it’s just right.

“Too Tired To Care” is Dixon, having been there, done that and not doing it again regarding love. When she starts to hear the same old lines, she is just that, too tired to care. It is a mellow funk romp with a lyric delivered in focused rapid fire, highlighted with some sultry vocal inflections.

“Easy Goodbye” seems to be a follow up on the same theme in that, having heard it all before, its easy to let go and move on. These two tracks are the most un-Nashville of the bunch. One can picture many of today’s top female vocalists flagrantly over-doing “Easy Goodbye”, robbing it of its symbolic ease. One of its greatest features is that the musicians, while doing some top-notch work, back off and let the vocals shine.

With these tracks what you get is a many-tiered cynical view of love. In that respect, “If You’re Looking For An Angel” is refreshing. Just when you are expecting something like “Strong Enough” by Cheryl Crow, it turns into something closer to “I Can’t Make You Love Me” by Bonnie Raitt in its vulnerability. For instance, in the chorus, Dixon sings “If you’re looking for an angel…” Having heard a couple of these songs, one may be surprised to hear her continue with “here I am.” It’s sweet, its comforting, and it demonstrates that with a few gentle, sincere words, yes, women can make men, dare I say it, swoon.

Love Me Back” delivers the very subtlest hints of the smoky vocals of Natalie Merchant or Melissa Etheridge, yet tips the scales with those well-executed vocal inflections again.

Dixon finally brings the thunder with “I Need a Man.” It’s gritty, harkening back to Tanya Tucker, matching the vocal strength of Carrie Underwood. Here Dixon is laying it all out on the line as if to say “This is what I need, damn you!”

Four of these tracks can be heard on her homepage www.jenniferdixon.net, and one is featured in the indie film “Shattered”.

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The Melting Pot is back in action and you, my friend, are not going to wanna miss a single note of any tune present in this compilation. The tunes, like me, are mellow yet upbeat and 100% thought provoking.

Grab a beer, glass of wine or mixer and press play now!

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Songs heard on this podcast:

Say something…

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I normally don’t review multiple bands from the same record label but when I stopped by the Small Stone Recordings website, I was side tracked for a few hours and ended up burning up about thirty bucks on downloads, so I figured why the hell not. Here’s a word or two about a label and a few of the bands that you should check out. 

The Label

Based out of Detroit, Small Stone – for the most part – represent bands that are of the stoner rock ilk, but, they aren’t afraid to mix it up – one of my favorite finds, happens to be country.

They have stood the test of time and have been putting out their brand of music since 1995. In an April 2008 article on Metromix,  the founder Scott Hamilton explained that he wanted to model the label after Sub Pop. He also defined stoner rock as being “just a really amped up version of classic rock” with “a bunch of fat guys with beards in the crowd.” You gotta love the honesty.

The Bands

Here  are some of the bands that caught my attention. And, to give you sort of a jumping off point, I’ve listed a tune or two from each (which by the way have made it into heavy rotation on my iPod).

Oh and just so you know, you can buy the cd’s on Small Stones site and if you are the mp3 type, everyone of these artists – and the tunes listed – are available for immediate download on emusic (which means you can get them for free if you don’t have an emusic account).

Anyway, check these bands out;

Roadsaw - If you are fan of early Soundgarden circa “Louder Than Love” – or just grunge in general – you need to check these guys out. I love vocals and the smooth grind that is present throughout.

I think your best bet to get a feel for what these guys can do is to get started with “Up To You” and “It’s Your Move”.

Whitey Morgan and the 78′s –  WARNING: When combined with good weather, good booze and good friends, the music of Whitey Ford could leave you with a splitting headache and a pissed off boss.

This band takes a well needed and refreshing approach to old school country. They easily slip into all of the elements of 70′s era outlaw and all of their tunes will make Waylon, Wille and Bosephus fans very, very happy (and a little jagged).

I recommend that you download the whole album but if you are only going to stick your toe in the water, make sure you check out “Crazy” and “If It Ain’t Broke”.

Mos Generator –  The riff heavy tunes that these guys are laying down are immediately addictive. The tune “Acapulco Gold” – which could easily be the love child of Steely Dan and Monster Magnet – documents a love affair of the smokin kind. And “Wizards of the Prophecy Pen” is a well produced tune that could very easily be an early Sabbath tune. Grab them!

There, now you have some stuff too listen to as we all wait for summer. Remember, all of this stuff is on eMusic for immediate download and if you are still doin the CD thang, check out the Small Stone online store.

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As you will hear in the first tune, it is time to “Give your day the brain off.” Yep, we crack a bottle of wine (or beer or Jack or whatever), lighten it up a bit and realize that, it just isn’t that freakin bad.

For best results, grabs some good Headphones.

Find yourself a nice, relaxing place and press play now.

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Here are the songs heard on this podcast and the links to each artists website;
Supersuckers – “I Don’t Wanna Know”
Darrin James Band – “Thrones of Gold” (get it free on eMusic)
Hello Dave – “Mountains”
James Dunn – “Oak Tree”
Bill Johnston – “Devil on My Shoulder”
Ethan Stone – “Ain’t That the Way”
Jon Nicholas – “Grandmas Getting High”
Great Big Sea – “Straight to Hell” (get it free on eMusic)
Fabulous Hats – “Lets Go to Vegas”
Stuckey and Murray – “Taking A Dump at Work”(get it free on eMusic)

Most of these and a ton of other great artists can be found on the Pod Safe Music Network.

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Image Source:Criminal Justice

Today’s the day. We are finally gonna do it. You and I are going to tell the boss to take a freakin hike. We are gonna play hooky. Yep, we are going to the beach or the bar or wherever and we are gonna have couple….and just chill! Hold that thought, press play and check out my latest offering…

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Here are the songs heard on this podcast and the links to each artists website;

Bag of Toys – “Smile So Wide” (get it free on eMusic)

Ruby Rendrag – “Meditation”

Kelly Zullo – “Where You’re Hiding”

Old Crow Medicine – “Caroline” (get it free on eMusic)

Hello Dave – “Perfect Day”

Jacob Gehret – “Won’t Remember Me”

Collective Soul – “All That I Know”

Rob Anthony – “You’re the One”

Stop by my iTunes page now, tell me what you think by posting a comment and then subscribe. Other sites mentioned in this show; Rolling Stones “Top Ten Fictional Bands”

BRAIN FART ALERT – I said Bag of Toys music was going to be on the Fox show “House”, I was wrong. The show they will be on is “Bones.” Sorry guys! Most of these and a ton of other great artists can be found on the Pod Safe Music Network.

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The song on this video is pretty funny and I just had to share this with you. I heard it a few months ago on Adam Curry’s Podcast “The Daily Source Code.” I was going to post it then but forgot about it until the other day when a friend of mines wife emailed it to everyone.

The name of the artist is Rodney Carrington and the song is “Show Them To Me.” I don’t know a whole lot about the guy but I do know that his style predominantly country and he writes some damn funny songs.

Check it out and be sure you listen to the words closely because you will crack a smile.

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