With a sound reminiscent of early Roxy Music, Eno and Talking Heads; London based music mogul Paul Roderick is poised to unleash his debut single Russian Reggae. Featuring on vocals The Special’s front man and founding member of Fun Boy 3, Neville Staple.

A tar thick Ska-influenced, bass driven amalgamation of edgy drums and slicing guitar riffs, it’s set to be release on flourishing indie label, iStores Records in early spring 2011.

Having spent the last year feverishly recording his forthcoming debut album, Fusion Paradox, alongside critically acclaimed producer Mike Bennett; former member of The Fall, and renowned for his work with Ian Brown and The Stranglers, to name but a few. Roderick offers up a tantalizing cocktail of genres, running the gamut from pop to electro, dance, nu-wave and rock, to create a post modern convergence that looks set to be a breakthrough release for 2011. Read the rest of this entry

This post was submitted by jon falgate.

Break it down for us
Tim Permanent, make us dance
You make great avant-pop

TimPermanent (Yes, it is one word on purpose)

Tim, we hear you are about the release your new EP Marker, what have been the best and worst parts about recording it?

I would say the best and worst parts, both, are that I wrote and recorded the whole thing myself, alone. Being that I had full creative control was very much a plus but I am limited by my own resources. The only exception is that I had the help of Niki Haris who co-wrote “Black & White” with me, which was such a huge gift.

What song means the most to you and why?

The song “Asymmetrical” means the most to me as it came out as a rebuttal almost. I am not sure if it sounds like that but there most certainly was very high emotion at the time I was writing it. I was having a very hard go at things at the time and was struggling. Life was throwing me loads and loads of challenges and I was really doing everything I could to just be ok.

What inspires you to write a song?

I don’t know where the songs come from, really—they just kind of come. Sometimes it feels like I am like a vessel, like the songs happen to me. Then sometimes when I want to write I can’t.

Sometimes there is like an urge, like an itch I need to scratch and I go and press record and an hour later an entire production is done.  The opening song “Extraordinary” happened like that. I guess sometime they come at times of high emotion too but that’s not always the rule either. Hmm….

If you could have had any one artist contribute to your album, who would that be?

I guess it would have to be my very first and only real idol Michael Stipe of REM.

Describe your live show to us. Is there anything you expect to be different with these new songs?

I find it important to really connect on stage with each song’s truth .That being said, my show is very theatrical, not in visual way but I am a performer.  I engage in my songs live. I have already been performing most of these new songs, that’s how I knew to release them. My shows are like the test market for the releases.

Have you ever had anything embarrassing happen to you while performing?

Since I write and produce most of my music electronically I have been known to perform to tracks, like on a CD. And there have been times when the CD has skipped and that can be embarrassing. First, because I’m performing to a friggin’ CD but also I’d be right in the middle of some intense vocal or something and then clip, clip, clip, clip ——- it’s like AH!!!!! WTF!!!  HEY SOUND GUY! would you mind skipping ahead to the next track or maybe I’ll take the opportunity to play an acoustic song. Maybe someday I will have a band.

What have been some of your main musical influences?

REM, New Order, Depeche Mode, Missing Persons, Missy Elliot, Tori Amos, Madonna, Digable Planets, Mary J Blige, MIA, Imogen Heap, Peter Gabriel, Radiohead, Joan Osborne, Michael Jackson, Janet Jackson, throw in a ton of dance music too- techno, house, jungle, triphop, drum n bass- this list could go on and on and on and on-

In the spirit of the Halloween season, what has been your favorite costume you’ve dressed up as?

Honestly, I make an incredibly convincing girl. The only time I ever dressed in drag was on Halloween and I used to do it every year on Halloween and I loved it! I love it because I would dress like a regular girl not like a crazy drag queen and nobody would even know it was me. I would go and see friends and people that I knew wouldn’t even think twice. They would just think I was some strange girl because I wouldn’t talk. There was something fantastic about it!  I haven’t done it in 5 or 6 years but this question has brought out the memory of how much I enjoyed it so maybe I will do it this year.

Check out TimPermanent here or on Facebook

Oh, the sonic joys of youth! When laughter was crisper and songs weren’t transient, but left deep lasting impressions on our souls. Doesn’t it feel as if some of the best memories in you life were enhanced by a subtle song playing in the background? Or perhaps, the music was the main attraction–driving around in the the car with your high schools friends and singing your favorite chorus to the cars beside you. Those were the days. For my latest interview, I got to speak with Frederico (see pic below) from the band Youth Sounds. By the end of the interview, I was reminiscing, hopefully you’ll recall fond memories as well. Enjoy!

What inspired the name Youth Sounds?

I was thinking about band names and what would go well with our sound and Youth Sounds just seemed to fit with what we were doing. Our music is really driven by a sense of nostalgia.  I feel that as we get older our memories are intermingled with a handful of pop songs and albums that really meant something significant to us during the time the memory was being created. I want Youth Sounds to have that affect on people. So, hopefully in a couple of years when people think back on what they were listening to, maybe one of our songs will be tied to one of their memories.

Is it harder or easier to be in a band with your sibling?

I would have to say that it’s a lot easier being in a band with my sibling. We’ve been working together for so long that we’ve reached an understanding with one another. We respect each other’s form of artistic expression and trust each other’s ideas and opinions completely. I trust that any decision she makes will be made for the betterment of the band and that the end result would be a positive one and not at all detrimental. I believe that she shares this point of view as well, and the confidence we have in one another really affects all our musical endeavors.

As brother and sister, what is the worst argument you’ve gotten into?

I can’t really recall any intense arguments we’ve had in recent years. We’re actually really close so we don’t get into it when we disagree about something, but believe me, as kids we had some genuinely ridiculous arguments to say the least. There’s one minor spat that comes to mind that ends with Erika’s foot in a wall, lol. I will spare the long details on how she got her foot in the wall but let’s just say that the result of that argument was the both of us getting into some major trouble, hahaha.

Who are your influences and do they differ between the two of you?

They definitely vary between the both of us. We’re a very musical family and we’ve been surrounded by music all our lives, so our appreciation for different genres started very early. Our grandparents and parents have been a huge influence, introducing us to so many artists with varying styles and sounds.  So we’re very open in our selection of music and I believe that has really helped us find our bands sound. Erika is really into soulful artist with unique voices and will freely admit that she’s a sucker for some good ol’ R&B. My music selection changes daily whether I’m listening to all of David Bowie’s albums or Broken Social Scene, Ryan Adams, or Billy Holliday. It all depends on what I’m in the mood for.

You’ve just finished recording your new EP The Bit Parts what song are you most excited to show other people?

Honestly, we’re very excited about all the songs on this EP. We’re ready to get them out there and into people’s hands so that they can hopefully enjoy the music we’re making. This EP has been a long time coming and we want to share it with whomever is willing to listen. And if not, we’re just gonna have to hit the streets with our instruments and harass passersby with our obnoxious singing, hahaha.

Was it always a party growing up in the capital of Mardi Gras?

Yeah it’s definitely always a party down here in the big easy. No joke, this is the city that will turn anything into a party no matter what it is. It could be something arbitrary, like ending your shift at work, or important, like your kid graduating from kindergarten. You’ll have all these kids together on a space walk and all the adults getting plastered, partying it up. For all the locals, Mardi Gras has become something you learn to survive. Don’t get me wrong, it’s a really beautiful and a unique experience but it is in no way convenient for the locals. Basically, the whole city shuts down, so you can imagine how difficult it can be getting from one point to the other. But growing up in a city with so much culture and life is absolutely a plus, no doubt about it.

One of the tracks on The Bit Parts is called “As Strangers Would,” which leads me to the question have you ever taken candy from a stranger?

No, I can’t say that I’ve ever taken candy from a stranger. I wonder if anyone does that any more?

From what I understand, the members of Youth Sounds have been in the music game for a long time. This is just their latest project. So go on, become a friend on MySpace why don’t ya.

It’s not everyday that a band gets invited to open for Coldplay. What a once in lifetime opportunity! The Luxury got that chance and has also hit the  CMJ top 200 with their first record, This Is Why We Can’t Have Nice Things. Last April, the band was also crowned winners of the 31st annual Rock and Roll Rumble. The band’s followup, In The Wake Of What Won’t Change has cemented their reputation for having the ability to create indie-English rock ‘n roll with a modern-mod vibe. I give you Justin, Daanen and Jason from The Luxury…

How did you guys all meet?

Jason: We’re from all over, so this is one of those complex stories, not one of your “childhood friend” deals. Foster and I played in a band called The Halogens, and when that wasn’t fun anymore I formed The Luxury with him and three other great musicians who decided they didn’t want to tour, forcing us to look for new players. We found Daanen through the band he was in at the time, Justin through an internet message board, and Borek… now that I think of it we found Borek through Craigslist, of all places.

Justin: I had kind of been keeping my ear to the ground for a year or so, and waiting for one of the bands I respected to be suddenly without a bass player. The second I saw an ad out for the Luxury, I pounced on it.

Daanen: I played guitar for the Ultra Sonic Rock Orchestra here in Boston four years ago. Our singer’s girlfriend was one of the performers in the show and told me that her boyfriend was auditioning guitarist for his newly forming band. She got me a demo, I learned the tunes and the rest is history baby!!

What is the best part of the Boston music scene?

Justin: Definitely the sense of community that’s all over the scene lately. Whenever I go out in town, I know I’m going to see a million of my friends. And so many of them are in bands that I was already a huge fan of, before I ever knew them personally. Dudes who were like huge celebrities to me, and now they want to buy me a beer.

You were recently invited to open for Coldplay, how did that occur?

Jason: Well, Coldplay decided to showcase a bunch of bands from markets they were playing in on their North American tour, so they contacted radio stations in each area looking for submissions. I think about 500 videos were submitted in Boston, and WFNX whittled it down to 15. That must have been fun. The public voted on the 15 entries, which included our friends in the amazing bands Township, Aloud and The Motion Sick, and the top three were sent to Coldplay to pick their favorite. They chose little old us, and the show was awesome.

Justin: I’ll just add the fact that everybody in the Coldplay camp were ridiculously cool to us. Chris Martin himself even popped in to make sure we had everything we needed.

In your video for “Malcontent” King Puppethead sings the vocals, was he a difficult person to work with?

Jason: You know, I try not to be rude or dismissive in interviews, but that guy’s an unbelievable pain in the ass. You haven’t lived until you’ve seen a sock puppet demand a trailer and a personal assistant. Originally I was hoping for a Boglin, but when the auditions were all done he was the only one that could lip-sync in time while playing the piano. We didn’t talk for about a year after that video shoot, and he occasionally posted rude blog comments about me which I tried to ignore. Lately he’s mellowed out a bit, especially after starring in his own video, “Happy In My Misery”, which you can find on YouTube. I can’t begrudge him his talent, no matter how abusive he can be on-set.

Daanen: Very demanding with his wants and needs at some points. He got payed in the end whatever…. I’m not calling him to go out for a beer anytime soon though, that’s for sure.

Justin: I wouldn’t know. He stayed in his trailer the whole time, and wouldn’t associate with any of us. Between you & me, I think he’s maybe got a blow problem.

The Luxury is a great band name, how did you come up with it?

Jason: Oddly enough I offered it to my friend Moose when he was forming a new project. We were on the phone together trying to come up with something for him and I picked up a Marillion CD from ’94 that included the song “Alone Again in the Lap of Luxury”, and suggested The Luxury to him. He loved it, but so did I; eventually, I kind of asked for it back. He’s about the nicest guy ever, so he had no problem with that. I have no idea what else we’d call ourselves, though. Sonically it makes perfect sense, the music being as big and full as we can make it… and if you look at how we actually live it’s both ironic, on a societal level, and completely true on a global level. The concept of luxury changes a lot depending on your perspective.

Visit The Luxury on MySpace or Facebook.

-Sheena

Back by an all-star cast, including Aaron Sterling (studio drummer for Sara Bareilles, Kelly Clarkson and Brandi Carlile), Ryan Freeland (engineer Aimee Mann, LeAnn Rimes and Natasha Bedingfield), producer Timothy Young and her husband Mike Chiaburu, Kristy Hanson is releasing her newest album Into The Quiet at the end of this month.  Her release was funded largely by her fans and marked a transition in Kristy’s artistry from singer/songwriter to collaborator. She also put her input into the production, making the album truly her own. So without further ado, I give to you the very charming Kristy Hanson…

What has been the best part of making the new album?

I think the best or at least most exciting part of making an album, for me, is the recording itself. Getting Mike, Tim, and drummer Aaron Sterling in the studio with Ryan Freeland, our engineer, was fantastic. We had such a great energy and camaraderie, and I just LOVE recording. I love studios, generally  Gavin Lurssen‘s studio (our mastering engineer) is awesome, too. I could, I would spend all day, every day, in a studio, particularly with those guys!

But it was also wonderful to collaborate with Tim Young and Mike on those early demos over at Tim’s house, too. The collaborative process was sort of new to me, and I learned and grew so much as a result of it. So it’s kind of tie between that early collaboration and the recording itself!

How does this one differ from your last release Already Gone?

The fact that I co-wrote some songs with Mike and Tim and invested more time in the production makes it feel different for me, and maybe more sophisticated. Sound-wise, Into the Quiet is a little bit heavier than Already Gone, in that there are layers of electric guitars and more of a rock sound on a lot of songs. There’s also definitely more pop and country flavor in there.  I’m also extra-proud of my vocals on this album, because I really poured my whole heart into them. I hope people respond to that!

You did something very interesting to raise money for this recording, can you explain that?

Inspired by a number of artists who have turned to their fans for support, including the hilarious and wonderful Jill Sobule, I decided to launch a fundraising campaign before the recording of Into the Quiet. My fans donated $5,000, which was vitally important to the making of this album. I actually gave all donors the chance to vote on my album’s title, and I’ll be having a special listening party for my donors to thank them. I hope that my donors feel as proud of the album as I do, and that they feel good to have played a role!

You’ve played shows all over the US, what is your most memorable tour moment?

Oh boy…probably my most memorable BAD moment on tour was when we got stuck in a snowstorm in Wyoming (in the middle of APRIL) and had to stop in Laramie rather than continuing on I-80. It added an extra day of travel, but we made it just in time for the first gig in Chicago.

But it’s so hard to pick, Cleveland was memorable because I was born there and had dear friends in the audience (which was also a great audience), and I also really loved Rockwood Music Hall in NYC. I love touring generally…even (or perhaps especially) the mishaps because they become part of the stories you can tell later.

If you could collaborate with anyone, who would it be?

Hmm,  I’d say Joni Mitchell, although Lord knows I might be too intimidated to actually collaborate! I would love to work with Grant-Lee Phillips, an amazing songwriter and singer based in LA. And Aimee Mann. And I also find myself singing Michael Penn’s harmonies a lot…I would settle for merely being his back-up singer for sure. I dreamed about collaborating with drummer Jay Bellerose, and then it happened, so you never know!

What song on Into the Quiet is the most personal? And why?

My songs always come from a very personal place, although most of them on this album are not directly autobiographical. I think that the song “Into the Quiet” itself feels most personal to me. Which seems a little odd, because the lyrics are probably also the most abstract. But a lot of it has to do with what I’ve been through over the last several years, and what Mike and I have been through together  and how at the end of the day all I want is to be in a peaceful place, and sharing that peaceful place with him. So I guess, yes, that’s pretty personal. 

Keep a lookout for Kristy’s newest release Into The Quiet. The official release date is March 31st and if you’re in Los Angeles, swing by Molly Malones for the album release show. Also, be sure to check her out on MySpace and Facebook.

-Sheena

Recently, I got to chat up Edison Sunrise about their newest EP Lifer. I got to ask them about their songwriting process and how they came up with the name Edison Sunrise. There is a lot of great new talent coming out of Canada and this is proof. Check out their music at www.EdisonSunrise.com

What is the origin of the band name Edison Sunrise?

I came up with the name “Edison Sunrise” after hanging out in a friend’s basement. His father had an old Thomas Edison record player, that played some of the first ever recorded music.  I was very impressed by the antique record player because it doesn’t need electricity to play. You simply wind it up and it plays the music on the record. Someone mentioned that The Edisons would be a good band name. I had never been interested in being a “The” band so I used my wits and put together Edison Sunrise.

Who are some of your greatest musical influences?

Some of my favorite artists are Blind Melon, Bob Dylan and Oasis. They all have their unique style and sound and they all genius songwriters. I rely heavily on my songwriting to get me ahead and open up doors.

You are about to release a new EP, what song are you most excited to play live?

The third song on my EP called “Life Forms” is always fun to play whether in practice or in a show. The song is short, catchy and packed full of energy. It is the perfect song to play if you want to leave the audience wanting more.

What is the Edison Sunrise songwriting process like?

It tends to not take that long at all for me to write a full song. I tend to drop a song if I am struggling to write it. I have always felt my best work flow through me with ease when I am “in the zone.” I have stuck with this formula and I have managed to write over 40 originals thus far.

What are the main themes or topics that influence your songs?

Society and equality is a big one for me. I am a free spirit and I try to encourage people to think outside of the box and not judge people.

I like to sing about the dangers and shadiness in the world. The world isn’t all butterflies and beautiful flowers you know! There is evil at work.

I write about friends and memories. I can’t forget about all the good times and friends I have made along the way. Everyone needs a song to remind them of the people in their life.

How has your music evolved since you first started playing?

Being able to write lots of songs in a short amount of time has given me an edge. I have written everything from country roots to heavy rock and hip hop. I am constantly changing. One of the most compliments I get it that all my songs are different from one another and I have a unique sound.

What’s the best part about being a musician in Canada?

I currently live in a beautiful mountain town, Banff AB.It is vast and inspiring and people their really dig their music.

What are you looking forward to in 2010?

Having an EP for sale worldwide through digital download and having a much more experienced mindset. I have been learning and working hard at getting better at my craft. I feel that in 2010 I will finally start getting the recognition I have been working toward.

Recently, I had a chance to talk to the up-and-coming Hip-Hop duo RIBKAT AND JOSY B. They’ve already had a placement in the Oscar-nominated film the The Wrestler, a 2008 Hollywood Music Award nomination and an Effigy Award for best Hip Hop song in 2009 under their belts. They recently released their latest album Theory of Addicts and it looks like 2010 is going to be a good year for Tak and Josy B.

The chemistry between the two of you is undeniable, how did you meet and what made you start performing together?

I wrote a song called “Redrum” and I really wanted a female to sing the chorus I had written, and then, what do you know? With the snap of a finger, I was introduced to a cute, vivacious Puerto Rican girl with amazing vocals that went by the name of Josy B. Shortly  after the recording, I realized our chemistry was so magnetic and decided to release the song as our first single, which did great overseas, and we continued to work together from that point on

What is the first song you ever wrote together?

It was a song called ‘Reveriez” which happened to be our first single from our new album Theory of Addicts. You can get a free download of our album at www.RIBKATANDJOSYB.COM. I strongly encourage all you folks out there to come join us and get yourself a free copy!

Tak, you’ve been in the game a long time with groups like Styles of Beyond and Fort Minor, how is RIBKAT AND JOSY B. different?

For starters, I’ve never done an entire project with a female. Another is I got a chance to reinvent myself and showcase my music production and songwriting ability in a way the fans have never heard or would ever expect. Our sound is more electro-pop tip with a fusion of 80′s music and early 90′s Hip Hop in it’s prime. I never considered myself to be a rapper for the most part, but more of a songwriter who was always intrigued by the art of storytelling, with the soul of a musician.

Josy B., you’ve had the opportunity to work with the legendary Dr. Dre, tell us about the experience.

It was an awesome opportunity and a great learning experience. At the time, Dre was doing the soundtrack for a movie called El Diablo and we worked together to write some lyrics in Spanish for a track that was used for one of the scenes. The song turned out great! He was a really fun and down-to-earth guy and it was an honor to have worked with the Dr.

Josy B., you seem to love fashion, does your style influence your music and stage persona?

Fashion is my love!!! I’m addicted to accessories and colorful bags. What I wear is who I am which has a lot of influence not only with the music that I do but on stage as well. I don’t try to think too hard about what I’m going to wear when I perform. I’m very versatile with my visions and mood and sometimes I throw something together spontaneously, so you never know what I may be wearing when I come out!

Your new album Theory of Addicts was just released, what tracks are you most excited to perform live?

To be honest, we get excited to perform all of our songs because we love our album! We don’t use profanity in any way and we strongly believe in unifying a nation of people young and elderly through a positive medium of enjoyable music with an innovative energy behind it.

If you could collaborate with any other artist/s who would it be?

A man-made android combining the DNA of Culture Club, Talking Heads, Human League, Huey and the News, Tears for Fears, Public Enemy, Tribe Called Quest, LL Cool J., Leaders of the New School, with a splash of Michael Jackson.

What’s the game plan for 2010?

To infect the world with a plague called “Good Honest Music”

–Sheena Felix

Well I have a few gems for you this week.  I have a new metal band that I have been listening to for the past month (and should’ve told you about long before today). And an artist who was on a previous podast that has released a masterpiece of intimate and inspiring acoustic rock. Here ya go.

Deflagration “A Call To Arms” (Metal)

This stuff is damn heavy and breaks some new ground ta boot (I can’t quite pinpoint it but you’ll see what I mean). I’ve been listening before and during my workouts for over a month now and this stuff gets me really – and I mean REALLY – jacked up (which reminds me, try not to listen around your buddies that drink whiskey, unless you are looking to break up a fight).

Anyway, they kind of remind me of the band Pro-Pain (I think its the singing). Oh and don’t just take my word for it. I’ve shared their stuff with some of my live and bleed metal buddies and here are their comments;

Mark on Facebook – “Dude! I checked out Deflagration and it was awesome! Thanks!”

Bob on Facebook – “I like them. They sound different. I like the sound though. I might have to get the CD.”

My favorite tunes are “Split Wide” and “Color and Ash”. Bottom line, if you are a metal fan, you are gonna like these guys. These tunes will fit nicely in a playlist along side Slayer, Testament, Exodus, Metallica, Slipknot and many of the newer bands of that ilk. Check them out on MySpace or CDBaby.

Rob Anthony – “While the World Sleeps” (Acoustic Rock/Americana)

Speaking of metal, Rob Anthony is an ex-thrasher who has learned how to turn it up by turning it down. He has crafted a great acoustic album.

Even though I know it’s borderline heresy in the indie world, I’ve been listening a decent amount of top 40 rock, country and adult contemporary lately as part of my songwriting self-education. The stuff on this release could EASILY go toe to toe with almost anything on the pop charts. The top-notch songwriting is both timely and timeless.

His performance is very personal and very intimate. He will tap your psychy and bleed the emotion out of you on nearly every tune.  There is really no way to pick a few favorites because I love pretty much every tune on the disc. And for all of you cover tune nuts, you will want to check out his take on the DePeche Mode tune “Personal Jesus”.

Bottom line, if you haven’t heard him, you are missing out. Check him out on the official Rob Anthony Site or on CDBaby. Then tell everyone you know because he deserve to be heard. Oh and be on the lookout for an interview with Rob in the near future. We’ve been in contact and are trying to find some time in our schedules.

Guest post: Treadmarkz is my brother-in-law, a Human Beatles Encyclopedia and the author of the weblog Treadmarkz.wordpress.com.

Some Country music purists would probably say that anything that warrants the name “Alternative Country” is not really Country. But ultimately it is the domain of the fan to judge what an artist is or is not, to them.

Ladies and Gentlemen, I give you Jennifer Dixon.

A little country sensibility with a style that hovers along the cusp of blues, pop, jazz owing to a stint on Memphis’ legendary Beale Street, and nearly a decade in Nashville, her new CD, “2 Years” is the fruit of experience. She did not come out of nowhere.

Which makes it all the more uncanny that she has been labeled “un-Nashville.” Read the rest of this entry

Guest post: Susan Kemman resides in South Park (no kidding), is a Prog music nut and is the Assistant Director of  - and talent scout for – the The Highest Independent Music Tour in the World, The South Park Music Tour. Take it away Susan!

The Summer will be brimming with competitions, festivals, tours and holiday bashes;  many opportunities for getting your Band a gig or a little name recognition.   Talent Searches, Tours and Battle of the Bands  pay out prize money or comps equal to what you would earn at a gig, ALL for just a one hour performance.   Networking with the Bands and Industry people at these Events can offer tremendous earning potential by breaking you into new Venues. 

Here are some simple tips to get an edge over your competitors: Read the rest of this entry