Ever get a bad case of the Mondays? When you don’t want to brave traffic and endure your job one more day? Instead of going to work, Darius Lux decided that he was tired of waiting tables in Manhattan, so he left and traveled throughout the Pacific, Asia, Europe and South America. He now writes, produces and performs music to help us get though Mondays a little easier–music that is uplifting and inspiring. His latest release is appropriately named Arise and it is a reminder that we need to aspire to reach the excellence beyond ourselves either by recreating our lives or doing what we do better than we ever have. Not a bad way to start the week eh?

What songs on your album do you most like to play live?

There are 3 main songs that I enjoy playing for different reasons. With “XtraOrdinary”, I begin by beat-boxing and then loop that beatbox beat in my pedal while the band slowly build around it thru the song, it’s great to start something so small and end so big and the crowd always gets engaged in the process

I must have played “Human Race” over 150 times live and the guitar riff always gets people moving, that can only be a good thing. This song also works well acoustically, as well as with a full rockin band grooving behind me, and it’s also easy to do a live reggae version when the mood calls for it.

Finally, “Hey You” is a blast because by the final chorus most people are singing along and that’s when I really feel like “mission accomplished”.

What is your biggest inspiration behind your writing?

To offer something that is inspiring and insightful and may help fill a hole in the lives of people, who like me, feel something is missing sometimes. I wasn’t always turned on by everything around me growing up and loved the escape music provided and another way of seeing the world offered by the writers.

You are a producer, songwriter, multi instrumentalist, and a performer, which of these roles do you like the best?

The different roles move in waves. I do really like them all equally if in balance. Songwriting is a specific moment in time where I like to focus my existence on absorbing and reflecting. Then I hit a limit and want to bring them to life and playing the different instruments is a blast and allows me the chance to become a better player. Producing can be for myself or for another artist and often involves more of a ‘science’ in getting the best sound or arrangement. This is also when you can do the ‘editing’ that I wouldn’t do in the early writing stages. If I am producing for another artist it is also nice to take a break from my own thing and be more objective. Plus, you always learn so much working with other people. Performing is a whole other rush, whatever nerves there may be initially, are quickly transformed into bliss—channeling all the different emotions thru my voice onstage feels like the purest form of expression I have ever known.

If you were broke and had to dress up like a character and stand outside Mann’s Chinese Theatre, who would you dress up as and why?

Ha! That’s funny  I was walking by there yesterday. Off the top of my head—Ace Ventura .  I think any Jim Carrey character gives you a huge license to just be a total whack job in public and get away with it ;-P

What was your favorite album growing up?

Acchhh, do I have to pick only one!! Ok, I need to pick 3.

Blood Sugar Sex Magic by Red Hot Chili Peppers. Wow, blew my mind, total pinnacle of all their talents blending perfectly: creative, fun, deep. I can still listen to that and feel the same rip of energy as the day it came out. This was essential pubescent listening!

Euphoria Morning by Chris Cornell. Although this kinda flopped at the time, I was enraptured by the very musical and soulful musings of Soundgarden’s frontman. This album plays like a friend by your side, you can tell he had been waiting a while to show this other face of his talents. Every song is perfection, there isn’t a single wasted note here and of course, that VOICE!

Songs In The Key Of Life As a child I found an old unmarked cassette copy left in an abandoned cupboard and I started listening to it and never looked back. I didn’t know who it was for years, but Stevie Wonder taught me most of what I needed to know.

Have you ever thought of writing rap songs under the pseudonym D-Lux?

Ha, another great question, I think I’ll spare the world my rapping. Any attempts at ‘freestyling’ usually slide into potty mouth pretty quickly – although Eminiem made a whole career of that….

Find Darius on MySpace, Facebook and Twitter

-Sheena

Last night Cowbell launched a new artist, Mutto (www.mutto.com.au). No stranger to the stage, Mutto, was originally in a band called Soulframe until his stint on Australian Idol 2006 started an unraveling process that led to a 3 year hiatus. Now back with a new single and a renewed passion, Mutto has had to become re-educated into the digital age.

Focusing on digital downloads, the release of Mutto’s single ‘Wish’ is a momentous occasion as he is one of the first Australian artists ever to release an exclusively digital single available for download from the iTunes store, his own website, and through the use of a ‘Bandtag’ Card.

‘Bandtag’ has been supplying promotional download cards for artists to give away songs for a few years now, however Mutto is the first artist to use the card as a replacement for the standard CD single, in fact the first artist in Australia to publicly shun cds in favor of a digital download card that allows buyers to download high quality mp3′s to play on iTunes or Windows Media Player.

It also allows fans to download a copy of the video in a format that will work on ipods and iphones. Check it out here Mutto – “Wish” video

To top it off, apart from radio giveaways and promotion, last night’s launch was exclusively promoted through the use of social media platforms like Facebook. With over 200 attendees, the success of the night is a perfect example of the importance of social media marketing in a digital age. It is a new digital era and artists like Mutto demonstrate how results can be achieved online.

As more artists like Mutto and Nomy reach their full potential they present a very real opportunity for new artists trying establish a solid base. As advocates of the digital age, Cowbell and I will strive to uncover more examples of how new artists are using the internet and its many tools to advance their careers. Stay tuned!

Back by an all-star cast, including Aaron Sterling (studio drummer for Sara Bareilles, Kelly Clarkson and Brandi Carlile), Ryan Freeland (engineer Aimee Mann, LeAnn Rimes and Natasha Bedingfield), producer Timothy Young and her husband Mike Chiaburu, Kristy Hanson is releasing her newest album Into The Quiet at the end of this month.  Her release was funded largely by her fans and marked a transition in Kristy’s artistry from singer/songwriter to collaborator. She also put her input into the production, making the album truly her own. So without further ado, I give to you the very charming Kristy Hanson…

What has been the best part of making the new album?

I think the best or at least most exciting part of making an album, for me, is the recording itself. Getting Mike, Tim, and drummer Aaron Sterling in the studio with Ryan Freeland, our engineer, was fantastic. We had such a great energy and camaraderie, and I just LOVE recording. I love studios, generally  Gavin Lurssen‘s studio (our mastering engineer) is awesome, too. I could, I would spend all day, every day, in a studio, particularly with those guys!

But it was also wonderful to collaborate with Tim Young and Mike on those early demos over at Tim’s house, too. The collaborative process was sort of new to me, and I learned and grew so much as a result of it. So it’s kind of tie between that early collaboration and the recording itself!

How does this one differ from your last release Already Gone?

The fact that I co-wrote some songs with Mike and Tim and invested more time in the production makes it feel different for me, and maybe more sophisticated. Sound-wise, Into the Quiet is a little bit heavier than Already Gone, in that there are layers of electric guitars and more of a rock sound on a lot of songs. There’s also definitely more pop and country flavor in there.  I’m also extra-proud of my vocals on this album, because I really poured my whole heart into them. I hope people respond to that!

You did something very interesting to raise money for this recording, can you explain that?

Inspired by a number of artists who have turned to their fans for support, including the hilarious and wonderful Jill Sobule, I decided to launch a fundraising campaign before the recording of Into the Quiet. My fans donated $5,000, which was vitally important to the making of this album. I actually gave all donors the chance to vote on my album’s title, and I’ll be having a special listening party for my donors to thank them. I hope that my donors feel as proud of the album as I do, and that they feel good to have played a role!

You’ve played shows all over the US, what is your most memorable tour moment?

Oh boy…probably my most memorable BAD moment on tour was when we got stuck in a snowstorm in Wyoming (in the middle of APRIL) and had to stop in Laramie rather than continuing on I-80. It added an extra day of travel, but we made it just in time for the first gig in Chicago.

But it’s so hard to pick, Cleveland was memorable because I was born there and had dear friends in the audience (which was also a great audience), and I also really loved Rockwood Music Hall in NYC. I love touring generally…even (or perhaps especially) the mishaps because they become part of the stories you can tell later.

If you could collaborate with anyone, who would it be?

Hmm,  I’d say Joni Mitchell, although Lord knows I might be too intimidated to actually collaborate! I would love to work with Grant-Lee Phillips, an amazing songwriter and singer based in LA. And Aimee Mann. And I also find myself singing Michael Penn’s harmonies a lot…I would settle for merely being his back-up singer for sure. I dreamed about collaborating with drummer Jay Bellerose, and then it happened, so you never know!

What song on Into the Quiet is the most personal? And why?

My songs always come from a very personal place, although most of them on this album are not directly autobiographical. I think that the song “Into the Quiet” itself feels most personal to me. Which seems a little odd, because the lyrics are probably also the most abstract. But a lot of it has to do with what I’ve been through over the last several years, and what Mike and I have been through together  and how at the end of the day all I want is to be in a peaceful place, and sharing that peaceful place with him. So I guess, yes, that’s pretty personal. 

Keep a lookout for Kristy’s newest release Into The Quiet. The official release date is March 31st and if you’re in Los Angeles, swing by Molly Malones for the album release show. Also, be sure to check her out on MySpace and Facebook.

-Sheena

You know, what started out as a few simple interviews is now an exploration of what it means to be an artist. When people think of a musician, most people think of the stereotypical rock star type covered in tattoos or something along those lines. What I’ve discovered it that artists are very diverse and each one has their own obstacles to overcome,  their own unique audience, and a different experience as a musician.

My most recent interview is with Thomas King who developed a whole universe to organize and better communicate his values. I’m in love with his latest single “One Nite Stand” very GaGa-esque. Listen to it at  www.thomaskingmusic.com and look out  for his new album coming out soon.

How is being a musician in the United States different from being a musician in Austria?

The main difference is the amount of opportunities. I always say “For every single opportunity in Austria, you get a thousand in the States.” Austria is a country with a great classical music background, and all the world-famous classical musicians come to Austria.

In contemporary music, you reach a plateau pretty quickly and there is no where to go, especially if you are doing original music. Another difference is that Americans are a lot more excitable and supportive when it comes to music and new ideas.

Your Kingtom ideology is very unique, can you tell us what it is?

The Kingtom is my universe in space—my kingdom of high-energy pop music. It consists of six planets brought together by and gravitating toward logical center, LOVE. I call this center the ‘Great Uniting Star’. I invite my audience to enter my universe and through my music, experience  the power of freedom, excitement, beauty, passion, joy, peace and love.

Which element of the Kingtom is the most important to you?

The Great Uniting Star because it is an expression for what I stand for as an artist. I believe that music has the great potential to unite people and bring out love, excitement and happiness in them. This is why I chose the yin yang at the center of my logo that is partially rotated to form a heart. This powerful body then sparks a fire, which reflects the passion I have for music, generating a majestic light and energy needed to keep my universe in rhythm and the audience dancing.

Who are your musical influences?

My two role models that I adore musically are Michael Jackson and Prince. Both are phenomenal entertainers and performers, who in my perception, have always focused on the artistry and music rather than on making money.

Do you have a musical family?

I must have inherited my creative side from my mum because my dad is a businessman. I have played music and have been on stage pretty much all my life. At the age of four, I got my first drum set and started playing drums. At the age of nine, I had become a child actor for  theatre, and in high school, I joined a ballroom band as a singer and toured all over Austria.

You are a very high energy entertainer, have you studied dance or theatre?

I have never studied dance or theatre, but as I mentioned above, being a child actor made me failiar with the at age at a young age. I haven’t abandoned the stage since and probably never will. I guess my high-energy nature comes from my passion for what I am doing. On top of that, I love to dance. so you will rarely see me stand still when you watch me perform.

Tell me what your newest release is going to be about.

I tried to incorporate different elements of my personality into the songs. “The King Lives On” is about spreading my message to the world. In “One Nite Stand” I show that I am not afraid to  show my feminine side. “Do You Believe” portrays my theatrical side in which I am seducing a girl to join my Kingtom. “In the Dark” is an intimate ballad about feelings that have been left in the dark for a long time, and finally “Make It Loud” is a straight up feel good rock tune.

If you could perform anywhere in the world, where would it be?

Madison Square Garden in New York City. That place is magical. And the big soccer stadium in Vienna, Austria, because it is always great to come home.

Your stage performance is very theatrical, what do you plan on doing on stage for this new album?

The stage show will be a spectacle. A blend between a traditional show and a musical, with dancers, animation, and explosions. When the beat fires up, I’m in the zone and hopefully my audience will join me on this ride.

Check out his music at www.MySpace.com/ThomasKingOnline or www.ThomasKingMusic.com

-Sheena Felix

Yep, you read that right. Sir Elton John is going to be doing a tune with Alice In Chains on their upcoming album “Black Gives Way To Blue”. For the record I usually don’t do a ton of press release stuff but this is above and beyond Musicgoat worthy. I mean think about it, Elton John and Alice In Chains? I couldn’t have made it up if I tried. Can’t wait to check it out.

Anyway, here is the rest of the press release with some statements from the Jerry Cantrell. Read it and let us know what you think in the comments below… Read the rest of this entry

Guest post: Treadmarkz is my brother-in-law, a Human Beatles Encyclopedia and the author of the weblog Treadmarkz.wordpress.com.

Some Country music purists would probably say that anything that warrants the name “Alternative Country” is not really Country. But ultimately it is the domain of the fan to judge what an artist is or is not, to them.

Ladies and Gentlemen, I give you Jennifer Dixon.

A little country sensibility with a style that hovers along the cusp of blues, pop, jazz owing to a stint on Memphis’ legendary Beale Street, and nearly a decade in Nashville, her new CD, “2 Years” is the fruit of experience. She did not come out of nowhere.

Which makes it all the more uncanny that she has been labeled “un-Nashville.” Read the rest of this entry

Guest post: Treadmarkz is my brother-in-law, a Human Beatles Encyclopedia and the author of the weblog Treadmarkz.wordpress.com.

Regarding why the Beatles broke up, for years, I was a member of the “Yoko Is Evil” sect. Then for a while I converted to Paul-is-an-Egomaniac-ism. I took it for granted that the truth lay somewhere within these two camps. Eventually I realized the many other factors: John Lennon’s addiction to heroin; the death of the Beatles manager Brian Epstein; their music and individual talents getting too big to be contained within one album; George Harrison’s waning interest in traditional western pop music. Read the rest of this entry

Yep you read that right, the hard rock band Seether has covered the Wham! tune “Careless Whisper” (you can hear it on Seethers homepage and you can check out Wham! here).

I heard it on Sirius Octane this morning and I – like the DJ who introduced the song – have been struggling with it since (just a little bit). On one hand, from a creative freedom standpoint,  it is cool that Seether has the balls to cover a tune by a band that – to put it mildly – doesn’t quite fit the their image.  

On the other hand, from a shoot-yourself-in-the-foot standpoint, you have to wonder what their fans think about it. I can’t imagine that the typical hard rock fan is pumped to sing along with “I’m never gonna dance again…”. And speaking from a long history as a metalhead, this sort of thing would be punishable by death back in the day (lol).

Now I don’t mind Seether and the 80′s teenager that still hangs out inside of me has a soft spot for “Careless Whisper”. But, I am just not so sure they belong together. What do you think?

Guest post: Treadmarkz is my brother-in-law, a Human Beatles Encyclopedia and the author of the weblog Treadmarkz.wordpress.com.

Well, clearly the beef between Apple Corps and Apple Computers that started a while back is still bitter as ever, and unfortunately this will deny listeners who live and die by the iPod access to the Beatles music. But, lo! Here it is! The Beatles Rock Band arrives in stores on September 9th!

The upcoming release of the Fabs’ foray into the gamer world is exciting for me. Because it is yet another confirmation of what I have been telling the Musicgoat for years: the Beatles, as a cultural phenomenon, will never – yes I said Never – die.

If I had an Xbox, Playstation or Wii, I would definitely shell out the $99.99 to get myself an imitation McCartney violin bass, or a Harrison twelve-string Rickenbacker which is included for use with the game. I would have liked more information on what specifically is included in the Special Edition. For $249, you want to know, and you want time to save up for it if it is what you want. I am sure it is not worth it unless you get an imitation Beatles sitar, Moog synthesizer, harmonium, tape loop machine, wind machine, and calliope, so I can play the Beatles’ studio-era music to the full effect.

But even if not, wow, music in video games has come a helluva long way since the Mario Bros theme song, huh?

Yep, I swore I would never do one of these but hell, why not. These songs are just to good not to share.

Also, I figured it would be an great opportunity for you and I to sit down and have a holiday beverage together.

Lets do it. Grab something to drink, press play and have yourself a merry Christmas.

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Here are the songs heard on this podcast and the links to each artists website;
Geoff Smith – “Some Christmas Higgin and Kissin”
Winzenreid aka Hollywood Drunks – “Here Comes Santa Claus”
Skid Row – “Jingle Bells” (Monster Ballads Christmas)
Tom Kiefer of Cinderella – “Blue Christmas” (Monster Ballads Christmas)
My. Vegas – “Hey Santa”
Rockosaurus Rex – “Auld Lang Syne”

Most of these and a ton of other great artists can be found on the Pod Safe Music Network.