Who loves John Nagle?
Pop, jazz, and suave voice lovers
But what’s not to like?

Introducing Singer/Songwriter John Nagle

Your new EP comes out this summer, how long has it been in the works?

It’s been on and off the back burner for about 3 years now. Yes, that is a long time for any project but it was a necessary learning experience for any independent artist. It’s a good time to mention that my new album, Distractions, has been in the works since June. My good friend and fellow artist Nahneen Kula is producing on the project. She’s a genie. We expect it to be finished by December.

What song on the EP are you most proud of and why?

I can say that the most enjoyable experience in the recording process was for the song “Deeper.” At that point I had finally started to get a sense of how a song should be brought to life in the studio. It’s hard to think of it in terms of pride. I have no real control over what my musical urges are going to be like over the course of time. So I can only feel grateful when a song magically falls into place.

What made you transition from band to solo artist?

The transition came on more as a necessity than a choice. Keeping a band together was not easy especially in LA. I decided that if I could not get it together on my own I would never get it together.

You cite Fleetwood Mac as one of your greatest influences, who do you think fronts the band the best?

They are all great. Even counting the days of Peter Green. It’s kind of tie between Lindsey and Stevie. Honestly some people are born to front but Fleetwood Mac is all about the chemistry.

What has been your experience with trying to make it as a pop/jazz artist in Los Angeles?

Since LA I’ve spent most of my time learning the recording process and working on my material. “Making it,” to me, means two things out here, having a viable product; and delivering it. I have my product now and I’m ready to start delivering. The pop/jazz title is just a way to give people an idea of me without hearing me.

What was your favorite toy as a child, how old were you when you finally put it down?

I liked guns and swords and lasers. The answer to my prayers was, The Eliminator TS-7, or so I thought. In those days kids everywhere were looking for a way to combine the power of laser with both the power of gun and sword. A lethal combination that would change my life. I finally put it down when I realized no man, or boy, should harness such a force. It was about doing the right thing. Plus, when you’re 26 it makes it hard to keep girls around.

(I dunno ’bout that, I’m a girl and I’d be super impressed…)

If you could trade places with any celebrity for a day, who would it be and why?

Umm… totally invade the private life of any well known person for a day? So many to choose from. So many ways to ruin some one’s life in one day. It wouldn’t really matter who, because I would use them to do something unorthodox or potentially evil. To be fair, I’m not ready for this kind of power as was the case with my Eliminator TS-7.

Check out John Nagle on Facebook

I’m having a good time with these haiku’s so I’m going to keep writing them, plus they’re tweetable.

Bingham Willoughby
perceives more than mere mortals
His songs freeze beauty

Introducing Rock Poet: Bingham Willoughby

Your new album is called Maybe Not Today, Maybe Tomorrow, are you a big procrastinator or is there another significance to the title?

On one level, you could say that there is a slight essence of procrastination, in the title. But my intentions, speak to more of an anticipatory feeling–as if you might say, “maybe not today, maybe tomorrow…but soon.” I wanted the title to evoke an impression, more akin to having overheard a snippet of conversation, versus some grand mission statement. And on a personal note, I think I’ll answer the question of being a procrastinator, a little later on…

You have a new video out for your song “What If You’d Chosen Me” what is the significance behind all of the nature shots?

The concept for the video was to explore the interaction between the idea of traveling and the various surroundings you’ll encounter. The traveler responds to these situations, and yet what he sees remains unchanged. The viewer is the traveler. The various natural and urban backdrops are silent witnesses. The notion of looking through moss covered branches, points to a starting point for reflection. The traveler is then confronted with images of the guitar scuttling across the forest floor, a snare filling with sky, and Spanish moss springing to life to try on a Da Vinci shirt. The images from nature; the swaying flowers and trees all asking, “What If You’d Chosen Me?” Humans are moving and nature is moving; these images reflect the song’s sentiments: “I don’t know if I’ll ever have the strength to plan again. Say what you have to, you can’t stop this from happening.” We’re asking the questions and searching for answers–in moody, mysterious nature.

If someone were to play Bingham Willoughby in a movie, who, dead or alive, would you want that actor to be?

It might sound like a funny choice, but Orson Welles. Not just because, I like his acting, but mostly because I credit him with performing one of the most bizarre musical numbers, ever committed to film (in Citizen Kane). In fact, some day I’d love to do a shot by shot remake of it, for one of my songs. If I was forced to choose a living actor, I’d have to say Philip Seymour Hoffman (currying favor, with the interviewer).

Your music sounds very reminiscent of Lou Reed, is he an influence of yours? Who are your other influences?

I definitely feel indebtedness to Lou Reed and The Velvet Underground, and certainly, some of the ways I approach song writing are heavily influenced, by what I perceive to be some of their methods. In particular, I’ve always been a huge fan of Reed’s ability to manifest, not only evocative images, but also real emotional urgency. Any writer, who wants to try and speak “of the moment,” owes Lou a debt. In terms of playing, I think any person who utilizes, at times, a reductive approach when playing and ranging, also owes a debt to The Velvet underground.

I have a lot of other influences. Just a few, off the top, would be: The Smiths (Johnny Marr), Lloyd Cole and Neil Young. Even Rockabilly greats, like Eddie Cochran are an influence. When it comes to lyrics, I’m drawn to that turn of phrase that resonates. In my own listening it’s something I always look for, and I’ve discovered it in many varied sources, from Cole Porter to The Shins. I’m always looking out for something that entices me.

This album was truly a solo project, from the music, the recording, and the lyrics; what are the best and worst parts of recording an album alone?

The best part about recording alone might in some ways be the worst part as well. If you have an idea, you can implement it, without consultation, somewhat streamlining the process. However, you also can’t benefit from several great ideas being offered at once, and then crystallizing into one grand idea. That is one of the huge benefits of a group process. The solitary approach fit perfectly, for the way I was feeling about this group of songs. Additionally, from a musician’s standpoint and recording standpoint, there are times when you are actively seeking this form of challenge. You’re trying to make the correct decisions that are going to be right for the songs.

You look like a mixture of Philip Seymour Hoffman and Andy Warhol, what is your favorite Hoffman movie and Warhol piece?

I’ve never been compared to those two people, at the same time before, though I do see the resemblance. I’m a huge fan of both of them, to tell you the truth, so I gladly take the compliment.

I’m a fan of Philip Seymour Hoffman. He’s definitely one of the best character actors working today. I think it would have to come down to a tie between Happiness and Capote, but let’s face it, he’s great in everything he’s done (even Along Came Polly.) Todd Solondz’s, Happiness, is classic Seymour Hoffman and Solondz: equal parts compelling and disturbing. I think one of the greatest things about Philip Seymour Hoffman, is that he somehow elicits a humanity from his performances that allows us to see a little piece of ourselves in his portrayals. Songwriting, aspires to the same goals.

As for Warhol, I am a huge fan, even to the point of having made the pilgrimage to the Warhol museum in Pittsburgh, (and yes, t-shirts were purchased). 5 floors of Andy including some of his taxidermy collection. Well worth a look. As for my favorite Warhol works, I have to throw down another tie, between his Flowers series from the early ’60’s, and a sentimental favorite, Elvis 1 and 2.

…as for being a procrastinator. If I was, Maybe Not Today, Maybe Tomorrow, would have ended with the title.

Find him on Facebook or elsewhere…

Betty Navas is one of the lucky working musicians who doesn’t need a day job. Playing music is her day job. Betty began with piano and singing in the Miami’s Children’s Chorus and eventually directed her dedication to the guitar. Since then, she has made a career out of performing at casinos, getting to play every night and doing what she loves. See…art can pay. To further follow her passion, Betty has released her own album Superqueen to inspire other people, especially girls, and show them that a career as a musician is possible, without the struggling part.

Superqueen is the name of your album. Why did you choose that name and how does one become a Superqueen?

“Superqueen” is the second song on the CD. The song describes a woman who feels that on every level she is in charge of her own life. She (Superqueen) feels that she can be, do or have anything that she wants.  She has a sense of complete freedom and there are no limits to her choices or directions in life. A Superqueen, by my definition would be one who feels and moves in the direction of independence and freedom.

Who are some of your biggest music influences?

I listen to a wide variety of music everything from E.S. Posthumus to Eric Clapton. Being a guitarist, I love listening to guitar-oriented music and that is my biggest influence. I am very influenced by guitar-driven groups and artists like Led Zepplin, Jimi Hendrix and Foo Fighters.

According to your MySpace, you are constantly on the road, what is your favorite city to play?

I don’t have a particular favorite, but if I had to pick one it would be Ontario, Canada. It’s closer to my home in L.A. and the people there are really great.

A lot of your events are in casinos, what has been your biggest win to date?

I don’t gamble in the casinos. My biggest win so far is achieving my goals as far as becoming a professional musician full-time.

You made a music video for the song “Love Is,” what’s the story behind that song?

I wrote that song while I was taking a course on Protools. As part of the course, we had to learn how to add music to video and film clips. I wrote the song and soon after shot the video in short segments around L.A. I came up with the idea to write the song after reading books on metaphysics. The song is about love in a universal sense that states compassion and forgiveness are acts of love too. I wanted to encompass more perspectives about love from an expanded point of view rather than a purely romantic point of view.

Which of your songs is the most personal to you?

If I had to pick the most personal it would be “Stay in My Skin.” That songs describes my personal thoughts and feeling about genuine self-acceptance.

If you could have anyone to start a band with, who would be in it?

If I could have anyone, it would be Dave Grohl, Dave Matthews and Josh Homme to name a few. I really love their singing and playing.

If you could have any special power to use inside of a casino, what would it be and what else would you use it for?

I would use my special powers of focus to win a large jackpot and teach others how they can do the same thing! : )

Check her out on MySpace or on Facebook

When you were growing up, was there ever that kid in your class that was good at everything? Good at school, good at sports, good with the other kids, and good looking? Well, if that kid grew up to be a musician, he’d probably be like Julian Shah-Tayler who switches from songwriter to producer to performer to DJ with the greatest of ease, talent unwavering.

Already Julian has worked directly with Joaquin Phoenix, JC Chasez, and Violet Flames to name a few.  As a sonwriter, he co-wrote the smash hit “Wrap It Up” which has been featured in Whip It, GTA 4, Sopranos, Kyle XY and CSI Miami. He has also remixed a number of artists and DJed in clubs worldwide from the from The Razzmatazz in Barcelona, the Maria in Berlin, Death Disco/Kill All Hippies/Transmission/The Queen is Dead/The Secret Door in London, Happy Endings in New York, and Standard Hotels in Los Angeles. Do you see what I mean? Julian Shah-Tayler is an artist to watch for his versatility,musical integrity and sophisticated artistry.

You have been in a number of bands over the years, how you feel about having a solo project?

It feels great. I have been writing with a solo project in mind before, during and after the time I was in bands. It would be fair to say that in a lot of the bands, the songs were tantamount to solo efforts anyway. Finally because I play all the instruments and produce the songs as well as sing them, I get to do exactly what I want with them now.

What inspired the lyrics to the song “Wetter”?

Ha ha. Strangely I wrote the backing track for JC Chasez (*NSYNC) because I was working with him on some other projects. When I thought of the “naughty” lyric, it just stuck, and I decided to finish the song myself. I read a lot about Prince in my youth, as I was a huge fan. I think that using provocative lyrics does not necessarily denote a lack of subtlety across the board with the rest of the oeuvre. It was only ever intended to be a fun song, and it has certainly proved itself a favourite with my live audiences and radio stations.

You have a full length coming out at the end of the year entitled Coito Ergo Sum, what does that mean and can you expand on it?

Coito ergo sum is a corruption of the Descartes maxim: “cogito ergo sum” which means “I think therefore I am”
Coito, however means “I procreate”…….. The idea is that the use of latin is a little highbrow, but the message is quite cheeky really. I think that meeting of highbrow and lowbrow culture and intent reflects the content of my music nicely. I am quite serious, but irreverent and silly at the same time. Think perhaps of CNN presented by Monty Python…..

How does making music in the UK differ from making music in the United States?

My methods do not differ in the slightest bit between the US and the UK. I think the way it is perceived is the chief difference. Los Angeles is obviously a far cry from London, but my process is the same. Filter life through art and make it sound as interesting as possible….. Repeat.

You have collaborated and/or produced a number of other acts including JC Chasez, Joaquin Phoenix, and Whitey, who was your favorite to work with?

My favourite collaboration is the ongoing one I have with Scott Fairbrother in “adamandevil”, although the experience of working with Joaquin was the most “unusual” as he is a self-confessed non-musician, articulating himself most often in sensate terms. He’s quite brilliant as a producer actually, as he could take the musicians out of their comfort zone into a non-musical paradigm. This creates a very specific mood which helps create an idiosyncratic sound.

What role do you prefer, producer, songwriter, or DJ?

I am most definitely in my element as a singer/songwriter which comprises certain production things as well.

I read somewhere that you write between 50-70 songs a year and put out a new EP every few months, where do you get all this inspiration?

The songs are cathartic. I guess I am writing my diary/autobiography in song form, I guess you could say. Any emotional baggage can be offloaded in musical form.

You were once in a band called Drink Me, so if you were a vampire and could blend any 3 celebrities’ blood into a drink who would they be?

Shannyn Sossamon, Prince, (it would be purple) and Sigourney Weaver (for that added zing).

Find him on Facebook and keep an eye out for his label Impossible Things Records.

Ever been out somewhere and find an intriguing melody floating around that you follow until you find some street performer? No doubt, there is probably a small crowd gathered with some people nodding their heads and a few others with a subtle smile. Yes, one individual has the power to infiltrate souls and fight boredom, if only for a moment, without even being asked. Way to go. Public art is the best kind of art isn’t it? It not only belongs to the artist, but also to the people.  So let’s put a story behind the face of the countless sidewalk performers that shine out there. Here is some of the story behind John Clinebell.

What inspires your lyrics?

So many things inspire me these days. When I wrote the lyrics for “Make It Land,” I was in a committed relationship that I was trying to express my gratitude for, and also seeing a previous failed relationship for what it was. Just kind of exploring the emotions that came out of that breakup and the emotional withdrawal I experienced from being with her. The songs were written over the course of a couple of years, so there were those different themes to the lyrics.

We hear you are quite the dodge ball player, how, if at all, does that influence your music?

On the dodge ball court I get to be a totally different guy. Like a comic book character. It doesn’t really influence my music, but I like to think that what makes me a good dodge ball player (communication, being present, and being a good sport in the end) also help me as a songwriter and performer.

Are there any epic dodge ball stories we should know about?

I’ve experienced both extremes of tragedy and triumph on the dodge ball courts. Recently my team, Winner Winner Chicken Dinner, played on the Staples Center court for the West LA league championship and won. I’ve definitely had some great individual moments out there as a player as well. Like times at open gym where I’m the last person in on my side and I end up taking out the 8 players on the other side to win the game myself. Stuff like that. It’s so much fun!

What is it like being a street performer on the Santa Monica Promenade, knowing that most people are there to shop instead of listening to music like they would at a typical venue?

The first year I went out there, it was kinda rough. I had this expectation that a huge crowd was gonna form around me, that I’d sell thousands of albums, etc. I slowly came to realize that I wasn’t a show-stopping attractive girl, wasn’t singing covers, and wasn’t exactly doing a lot to make my performance a “street show.” Then it dawned on me that I didn’t have anything to prove to anyone out there, that I could just have fun. And the crowd that goes out there… they show their respect for you in more ways than giving you their undivided attention or tips. I get a big kick out of seeing the small signs of appreciation. The smiles, the bobbing heads, the peace signs, the toddlers dancing. The things I enjoy most about street performing are being outside, connecting with people, and being able to test out new songs.

You have a paper crane on your album cover, what is the craziest piece of origami you can make?

There’s a frog I know how to fold that takes about 10 minutes. You have to make the piece of paper more or less like a chessboard with all the fold lines. So many folds!

Currently, you are being played on over 65 college radio stations, have you heard yourself on the radio yet? What station do you want to hear yourself on?

I haven’t heard myself on anything but internet radio from that, but I’m sure it’ll happen when it’s supposed to. I’d love to hear myself on KCRW (in Santa Monica). They are really selective and didn’t add me to rotation. Maybe they’ll dig my next album!

If another musician covered one of your songs, who would you want it to be and which song?

I think Jack Johnson should cover “Sunday Afternoon” because it’s totally his kind of chill, peaceful song. Finger picked rhythm and laid back vocal delivery, all that jazz.

Since you live near the beach, if you knew a tsunami was coming which one of your original songs would you perform and why, “Lay Back and Die” or “Hold On”?

I’m sure I could think of other things to do in those conditions, but if I were to pick between performing those songs, I’d pick “Lay Back and Die” because I think that song is more about acceptance of what is—about realizing that we don’t have to struggle or strive to be satisfied with life. We could just lay back and die because we are so content. That’s definitely the emotional space I’d want to be in if I knew something catastrophic was about to happen.

To listen to John Clinebell visit him on Facebook or at JohnClinebell.com

In this episode, not only will you hear great acoustic music and get a great tip on how you can legally rob a bank BUT you will also find out what it is that I am doing with a Horny Goat.

You better listen now before your imagination gets the best of you…

Press play now

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Well I have a few gems for you this week.  I have a new metal band that I have been listening to for the past month (and should’ve told you about long before today). And an artist who was on a previous podast that has released a masterpiece of intimate and inspiring acoustic rock. Here ya go.

Deflagration “A Call To Arms” (Metal)

This stuff is damn heavy and breaks some new ground ta boot (I can’t quite pinpoint it but you’ll see what I mean). I’ve been listening before and during my workouts for over a month now and this stuff gets me really – and I mean REALLY – jacked up (which reminds me, try not to listen around your buddies that drink whiskey, unless you are looking to break up a fight).

Anyway, they kind of remind me of the band Pro-Pain (I think its the singing). Oh and don’t just take my word for it. I’ve shared their stuff with some of my live and bleed metal buddies and here are their comments;

Mark on Facebook – “Dude! I checked out Deflagration and it was awesome! Thanks!”

Bob on Facebook – “I like them. They sound different. I like the sound though. I might have to get the CD.”

My favorite tunes are “Split Wide” and “Color and Ash”. Bottom line, if you are a metal fan, you are gonna like these guys. These tunes will fit nicely in a playlist along side Slayer, Testament, Exodus, Metallica, Slipknot and many of the newer bands of that ilk. Check them out on MySpace or CDBaby.

Rob Anthony – “While the World Sleeps” (Acoustic Rock/Americana)

Speaking of metal, Rob Anthony is an ex-thrasher who has learned how to turn it up by turning it down. He has crafted a great acoustic album.

Even though I know it’s borderline heresy in the indie world, I’ve been listening a decent amount of top 40 rock, country and adult contemporary lately as part of my songwriting self-education. The stuff on this release could EASILY go toe to toe with almost anything on the pop charts. The top-notch songwriting is both timely and timeless.

His performance is very personal and very intimate. He will tap your psychy and bleed the emotion out of you on nearly every tune.  There is really no way to pick a few favorites because I love pretty much every tune on the disc. And for all of you cover tune nuts, you will want to check out his take on the DePeche Mode tune “Personal Jesus”.

Bottom line, if you haven’t heard him, you are missing out. Check him out on the official Rob Anthony Site or on CDBaby. Then tell everyone you know because he deserve to be heard. Oh and be on the lookout for an interview with Rob in the near future. We’ve been in contact and are trying to find some time in our schedules.

Well I finally did it, I recorded my very own song and I want to share it with you. Also, since I am the one normally doing all of the reviewing, I thought it would be fun to turn the tables around and give you all a chance to review me – either in the comments below, via my contact form or your blog.

I call the song “Change the World” and you can check it out now by visiting my personal site PlanetCorey.com.

It is just me, my acoustic guitar and my message.

This is something I’ve been meaning to do for quite awhile now and I have to tell you, I’ve been missing out. It is extremely fun to record music and it is hard to describe the feeling of hearing something I started from scratch playing back at you.

I’m addicted and I am a songwriting junky right now. I can’t wait to get back in the studio to record the next one.

Anyway, remember that you can share your review in the comments below, via the contact form, on your own site OR any social networking profile blog you might have (Facebook, MySpace, iMeem, etc). I don’t care what you say – since I am a big boy and can take it – all I ask is that you are honest and constructive.

Hope you like it and I can’t wait to hear what you guys think.

Here’s a few artists that you most likely won’t see on stage getting an award or even performing at the Grammy’s BUT certainly could be.

See if you agree by pressing play now.

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Here are the songs heard on this podcast and the links to each artists website;
Hype – “Push Me” (Available at CDBaby and iTunes)
Kelly Richey Band – “I Want You” (get it free on eMusic)
John Taglieri – “Booty Call” (get his older stuff free on eMusic)
Pauline Pisano – “Don’t Forget” (get it free on eMusic)
G Tom Mac – “Wish You Well” (get their older stuff free on eMusic)
Daydream On Autopilot – “Better Off Alone” (get it free on eMusic)
Daydream on Autopilot – “Call Me” (Blondie Cover)

Websites Mentioned on this podcast;
Mike Cameo’s Indie Top 10
Social Blend
Mixx.com

Most of these and a ton of other great artists can be found on the Pod Safe Music Network.

Today’s the day. We are finally gonna do it. You and I are going to tell the boss to take a freakin hike. We are gonna play hooky.

Yep, we are going to the beach or the bar or wherever and we are gonna have couple….and just chill!

Hold that thought, press play and check out my latest offering…

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